Six book critics venture into a new novel by a best-selling horror writer. The writer is said to have magical abilities to blend horror conventions with literary fiction to keep the pages turning. He is even said to have touched Stephen King! Four of the critics come away convinced that a transcendent supernatural event has occurred, which may have something to do with the nature of evil. But two are horribly scarred by the event--unbearably bored, convinced they have just read a rejected script from Lost. Whose version of events is true? We may never know. All critics agree on is that the only possible way to describe such a plot structure is to reference Akira Kurosawa's Rashomon--so readers may just have to investigate for themselves.
Description:
From Publishers Weekly
Starred Review. In this tour de force from bestseller Straub (_In the Night Room_), four high school friends in 1966 Madison, Wis.—Hootie Bly, Dilly Olson, Jason Boatman, and Lee Truax—fall under the spell of charismatic wandering guru Spencer Mallon. During an occult ceremony in which Mallon attempts to break through to a higher reality, something goes horribly awry leaving one participant dead. Decades later, Lee's writer husband interviews the quartet to find out what happened. In Roshomon-like fashion, each relates a slightly different account of the trauma they experienced. Straub masterfully shows how the disappointments, downturns, and failed promise of the four friends' lives may have stemmed from this youthful experience, and suggests, by extension, that the malignant evil they helped unleash into the world has tainted all hope ever since. Brilliant in its orchestration and provocative in its speculations, this novel ranks as one of the finest tales of modern horror. (Feb.)
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Six book critics venture into a new novel by a best-selling horror writer. The writer is said to have magical abilities to blend horror conventions with literary fiction to keep the pages turning. He is even said to have touched Stephen King! Four of the critics come away convinced that a transcendent supernatural event has occurred, which may have something to do with the nature of evil. But two are horribly scarred by the event--unbearably bored, convinced they have just read a rejected script from Lost. Whose version of events is true? We may never know. All critics agree on is that the only possible way to describe such a plot structure is to reference Akira Kurosawa's Rashomon--so readers may just have to investigate for themselves.