Much of Cormier's fiction poses a paradox: you are most alive just as outside forces obliterate your identity. Cormier's protagonists want to be anonymous, and their wishes are fulfilled in nightmarish ways. In Fade , which encompasses three stories in three decades, 13-year-old Paul discovers an incredible secret gift: he can become invisible. His long-lost uncle appears, to tell Paul that each generation of the family has one fader, and to warn him of the fade's dangers. Paul, however, abuses his power and quickly learns its terrible price. Twenty-five years later, Paul, a successful writer, confronts the next fader, his abused nephew Ozzie, whose power is pure vengeance. And 25 years after that, in 1988, Paul's distant cousin Susan, also a writer, reads his amazing story, and must decide if Paul's memoir is fact or fiction. Fade is an allegory of the writer's life. Paul's actions stem from his compulsion to understand the behavior of the people around him; Susan's questions and her awful dilemma, which concludes the book, result from her near-pathological writer's focus on other persons, a purpose her unreachable late cousin serves well. Omniscient powerPaul's invisibility and Susan's access to his unpublished workleads to identity-consuming responsibility. At its best, Fade is an examination of the writer's urge to lose identity and become purely an observer. As in all Cormier's novels, the protagonists are ciphers whose only affirming action seems to be to assert, however briefly, that they exist. The story is gripping, even when it approaches melodrama, and Cormier concentrates on each action's inner meaning. Fade works better as allegory than as fantasy; this is Cormier's most complex, artful work. He seems to challenge himself as a writer, and in doing so, offers a respectful challenge to his readers. Through him, they will discover the extremes of behavior in the quietest human soul. Ages 13-up. Copyright 1988 Reed Business Information, Inc.
From School Library Journal
Grade 10-12 Those who find Cormier's novels bleak, dark, disturbing, and violent will not be disappointed with his latest. And true to his past, he has given readers a story with more twists and turns than a mile of concertina wire. The first half is set in Frenchtown, a working-class section of a Massachusetts town. The time is the 1930s, and the evocation of life among the French-Canadians (with marvelous names like Omer LaBatt and Rudolphe Toubert), who toiled in sweatshops where celluloid combs were made, is the best thing about the novel. Not that the story line doesn't work. Cormier uses an old device that guarantees attentiona lead character who can make himself invisible. The rules for fading are as complicated as a missile defense treaty. Paul Moreaux is the teenage fader who narrates the first section, an autobiographical account written after he has become a famous novelist. Readers learn early on that there is a grim side to this gift of fading and that Cormier intends it to represent a potentially evil force within us all. Subsequent sections include a narration by a present-day female cousin, which throws into question the truth of the entire first section, and a concluding section that features another cousin who can fade but who is certainly mad and possibly possessed. So the novel has a bit of many things: magic, murder, mystery, history, romance, diabolical possession, sex (not a lot, but what there is is explicit), and even a touch of incest. The character of Paul is developed especially well. The story is too long, and the plot is too contrived to be taken seriously, but Fade is riveting enough to be appreciated by Cormier fans. Robert E. Unsworth, Scarsdale Junior High School, N.Y. Copyright 1988 Reed Business Information, Inc.
Description:
From Publishers Weekly
Much of Cormier's fiction poses a paradox: you are most alive just as outside forces obliterate your identity. Cormier's protagonists want to be anonymous, and their wishes are fulfilled in nightmarish ways. In Fade , which encompasses three stories in three decades, 13-year-old Paul discovers an incredible secret gift: he can become invisible. His long-lost uncle appears, to tell Paul that each generation of the family has one fader, and to warn him of the fade's dangers. Paul, however, abuses his power and quickly learns its terrible price. Twenty-five years later, Paul, a successful writer, confronts the next fader, his abused nephew Ozzie, whose power is pure vengeance. And 25 years after that, in 1988, Paul's distant cousin Susan, also a writer, reads his amazing story, and must decide if Paul's memoir is fact or fiction. Fade is an allegory of the writer's life. Paul's actions stem from his compulsion to understand the behavior of the people around him; Susan's questions and her awful dilemma, which concludes the book, result from her near-pathological writer's focus on other persons, a purpose her unreachable late cousin serves well. Omniscient powerPaul's invisibility and Susan's access to his unpublished workleads to identity-consuming responsibility. At its best, Fade is an examination of the writer's urge to lose identity and become purely an observer. As in all Cormier's novels, the protagonists are ciphers whose only affirming action seems to be to assert, however briefly, that they exist. The story is gripping, even when it approaches melodrama, and Cormier concentrates on each action's inner meaning. Fade works better as allegory than as fantasy; this is Cormier's most complex, artful work. He seems to challenge himself as a writer, and in doing so, offers a respectful challenge to his readers. Through him, they will discover the extremes of behavior in the quietest human soul. Ages 13-up.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
Grade 10-12 Those who find Cormier's novels bleak, dark, disturbing, and violent will not be disappointed with his latest. And true to his past, he has given readers a story with more twists and turns than a mile of concertina wire. The first half is set in Frenchtown, a working-class section of a Massachusetts town. The time is the 1930s, and the evocation of life among the French-Canadians (with marvelous names like Omer LaBatt and Rudolphe Toubert), who toiled in sweatshops where celluloid combs were made, is the best thing about the novel. Not that the story line doesn't work. Cormier uses an old device that guarantees attentiona lead character who can make himself invisible. The rules for fading are as complicated as a missile defense treaty. Paul Moreaux is the teenage fader who narrates the first section, an autobiographical account written after he has become a famous novelist. Readers learn early on that there is a grim side to this gift of fading and that Cormier intends it to represent a potentially evil force within us all. Subsequent sections include a narration by a present-day female cousin, which throws into question the truth of the entire first section, and a concluding section that features another cousin who can fade but who is certainly mad and possibly possessed. So the novel has a bit of many things: magic, murder, mystery, history, romance, diabolical possession, sex (not a lot, but what there is is explicit), and even a touch of incest. The character of Paul is developed especially well. The story is too long, and the plot is too contrived to be taken seriously, but Fade is riveting enough to be appreciated by Cormier fans. Robert E. Unsworth, Scarsdale Junior High School, N.Y.
Copyright 1988 Reed Business Information, Inc.